Daddy Long Legs
Blues/punk rockers Daddy Long Legs embark on their first
tour of Oz this month. Starting out on Norton Records, home of legends such as
Andre Williams, the Sonics and Link Wray, the New York based group recently
dropped their new single, Nightmare, a cracking and frighting tune that sums up
what we’ve all gone through the past few years. They even got there mate Eric
Goulden to do backing vocals. Singer/guitarist Brian Hurd spoke to me on the
zoom machine while the band was mid tour in Europe.
Munster: Dave, who teed up this interview up, told me he
can’t stop listening to the new Daddy Long Legs single new single Nightmare.
Once I heard it I kept pushing repeat as well.
Brian: Right on, thankyou.
https://www.youtube.com/watch?v=aERV8PUZ_50
Munster: It’s certainly a song of the times, did you write
it about all the stuff that happened in the last few years?
Brian: Yeah it’s absolutely of the times, and inspired by everything
that’s happened all around us. The story behind it is, in January 2021 I got
sick, I had the covid bug, and I had these crazy dreams that were super vivid,
and every night I would dream a different song, and one of the nights that I
was under the weather I had a dream that I was hanging with all these leather
clad, denim clad rockers, long hair dudes, and they were telling me how much
they dig Daddy Long Legs and they were telling me their favourite song was
called Nightmare.
Munster: Well pre covid before all this happened you made a
LP called Lockdown Ways (2019), so you really have nailed the current times
before it happened AS WELL.
Brian: (laughs) yeah.
Munster: So with a new single out do you have a new LP
coming out soon?
Brian: Yes, it is slated for March 2023, we can’t say the
name of the title but we’re making the announcement in January.
Munster: Nightmare also features the backing vocals of
Wreckless Eric, how did that come about?
Brian: Man, we’ve been a fan of his for years, obviously
we’re all big fans of the whole Stiff Records catalogue. We all love 70s punk,
proto punk and the pub rock bands. So Wreckless Eric was always on our radar,
and we knew he lived in New York State, somewhere. We showed up at an instore
he was doing in North Carolina, and then he came to see us later that night,
and he was blown away, he said “you guys remind me of seeing Dr Feelgood back
in the day, or my mate Lew Lewis”. After that we became friends and we’d run into
each other once in a while. Then we made this record upstate, and he lives up
there. So he would show up every day see what we were up to and how it’s going.
So we said to him “why you don’t sing some backups while you’re here”. He ended
up singing a few tracks, Nightmare being one of them. So good to have him
around.
Munster: I loved the vocals on Nightmare, loved how you had
real rough as guts vocals then the great gang vocals for the chorus?
Brian: Yeah right, real spectrum there.
Munster: Considering it sounds like you go full till with
the vocals, how do you manage to keep them in tact?
Brain: A lot of water, I do my herbal teas, proper sleep is
important. But it’s almost impossible
sometimes, it has gotten easier, I’ve been doing this for so long, I think my
voice can withstand a lot of abuse. When your singing blues it helps to have a
rough edge around it.
Munster: That’s good
to hear, because your pretty much coming to Australia straight from Europe?
Brian: We play our last gig in Madrid, we have a day or two
to sleep and prepare for the flight but when we get there its goanna be nonstop
action.
Munster: DDLs first two LPs was released on Norton Records,
how did you became associated with that great label?
Brian: Oh man, well I grew up in St Louis, when I was 16-17
years old I heard the first Hasil Adkins LP Out to Hunch. I was just starting
to get into 70s punk, I never heard full on hillbilly music, or anything like
that. I got turned onto that LP and it blew my mind. I heard the Sonics LP Boom,
and I thought hang on, Hasil is also on this label, what is the connection? I
just started digging through Norton and made the rest of my collections
obsolete. I wanted to know all the weird and wonderful stuff from Norton. And simultaneously,
we didn’t know each other, but down the road I would run across our drummer
Josh Styles, he was actually Norton’s first ever employee, he was Billy and
Miriam’s first intern, when they were running the label from their apartment.
We weren’t going to meet each other for another 10 years, and when we did we
became pals, I meet Billy and Miriam and became friends with them, I would see
the A Bones a lot and get invited to their holiday parties. When we started the
group they saw us, and saw that the whole Norton thing was in our blood.
Munster: Punk or blues, which was more of an influence on
you?
Brian: Ah man that’s half and half, the first bands I was
getting turned onto by my older brothers and sisters was the Ramones, the
Stooges, New York Dolls. But being from St Louis Chuck Berry was right there,
the early Ike Turner and the Rhythm King stuff. Super deep St Louis stuff like
Charlie Jordan and Henry Townsend. So R n B was there as well, and I appreciate
the history St Louis had music wise. But I was more interested in doing a punk
band, in the vain of the New York CBGBs era stuff. But once I got to New York I
saw so many people were doing that and I was like well, we’ll add this whole rhythm
and blues side of things and that will be the concept behind our punk rock band
Munster: I feel when I listen to you guys you’re the real
deal when it comes to the blues, you know you guys know and respect the history
and the bands that made it what it is and you’re not faking it. It’s like when
Ween made 12 Golden Country Greats, and all these bands decided to go country
but they didn’t have the respect they did.
Brian: Yeah it doesn’t make sense for us to cover Key to the
Highway, and all these standards that have been beaten to death, we’re better
off doing our own stamp on it and putting it inside out really.
Munster: Considering you do a mix of country and punk was it
hard to find a solid fanbase? You know punk purists didn’t care for the blues
side and vice versa?
Brian: Hasn’t been the case with us. Being a New York City
band we already had a built in crowd for what we were doing, plus we had
history with the other groups we were in, and the whole Norton thing when we
had our first LP with them, it was like we already had a built in audience. I
remember the first time we came to Spain and the UK, all these folks in Norton
Records shirts showed up, it was like the Norton stamp of approval. We’re still
here a decade later, grinding, being on the road, we find our people or they
finds us.
Munster: Is New York City an influence on your signwriting?
Brian: It’s a big influence. I’ve always been a fan of blues
and gospel and all the deep roots music, but also it’s that position of being
in an urban city. I think we’ve fully embraced it now, and this next record
it’s a reflection of urban decay, a band of the people, but from the city at
the same time.
Munster: Are you aware of the Tumbleweed song Daddy Long
Legs?
Brian: I feel like I’ve come across this on YouTube before
but I can’t really recall. It was a heavy band from what I remember
Munster: You mentioned Dr Feelgood before, what was it like playing
with Wilco Johnson?
Brian: Oh man, it was amazing, we would never think that
would actually happen. We’re all such fanatics, and he’s one of the most unique
guitar players ever. We’ve been lucky to meet him, have pints with him and have
him join us on stage for a few tunes here and there. It’s an honour.
Munster: Aside from Eric who else did you bump into that you
became mates with?
Brian: Too many to name. But we became close with Lenny Keye,
he became a big fan of the band. Andy Shernoff from the Dictators. We used to
be close with Arturo Vega from the Ramones when he was around. Danny Fields,
forever the coolest guy in the room. The list goes on. Billy and Miriam, got to
mention them. We’ve done a really good job of seeking out our heroes and making
friends with them. I guess they see whatever we’re doing and they seem to dig
it and know its coming from an honest true place, so we’ve been fortunate in
that regard.
Daddy Long Legs Australian tour dates
11, 12, 13 – BLUES AT BRIDGETOWN, WA
15 – DUKE OF GEORGE, PERTH
16 – THE ZOO, BRISBANE
18 – ELTHAM HOTEL, NSW
19 – ENMORE HOTEL, SYDNEY - FREE SHOW
20 – THIRROUL MUSIC FESTIVAL, NSW
22 – THE CURTIN, MELBOURNE
23 – CHERRY BAR, MELBOURNE
24 – HOTEL WESTWOOD, MELBOURNE
25,26,27 – QUEENSCLIFF MUSIC FESTIVAL
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